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To sum up, levinson tries to illustrate the meaning stability resorting to a middle course between semantics and pragmatics, and foreseeing a general heuristic device, able to systematically guarantee preferred interpretations and standard inferences. however, such logical explication, based upon a huge number of linguistic phenomena, does not allow the local understanding of a contingent communicational situation. it does not even seem to respect the semantic variations and changes on an experimental basis. to gain a factual comprehension of meaning from a psychological standpoint, it is worth analyzing the connection between meaning and context as an interesting and effective path to detect the hidden design of meaning. 2.3.2.3 meaning stability as context regularity a conventionalisation process presupposes the active participation of the communicators, as well as rules, practices, values, and meanings negotiation and sharing, although they may be local and temporary. it ends in working out a set of what bruner calls communicative formats [61, 62], each of which is made of a structured sequence of interactive verbal and non-verbal ; exchanges, which allows communicators to reach a joint aim, follow the same procedures and rule systems, as well as share the meaning of what they are going to say or to do. many communicative formats show a high and strong regularity structure, such as the greeting exchange, the call for apologies, a university exam, a political debate, and the like. these cases can be called standard or default ; formats, and are based on recognising and accepting a shared system of rules and patterns. usually, words and other communicative signs are "anchored" to a default format that makes their meaning foreseeable and definable. by the way, it is worth remarking the strong similarity between the concept of format and that of pattern, previous advanced. in particular, communicative formats oscillate from re-production processes to production processes. this oscillating motion is analogous to the one proposed by bourdieu [63, 64] for cultural practices. on the one hand, given the nature of re-production processes, communicative formats tend towards repetition and recurrence in an almost stereotypical way, by creating proper "communicative routines" obviously articulated in sub-routines ; , and also by establishing a continuity with semantic and communicative past conventions. these recurring and reduplicating processes are at the base of meaning stability and regularity. they are grounded on context regularity, as, if it is true that contexts show a great deal of variability and unpredictability, then it is also true that in most cases contexts are structured and regular forms in our everyday experience of the world. on this platform, individuals build and share their scripts with reference to specific situations. standard context is the context that presents a high routine regularity in the repetition of interactions, sequence of events and communicative exchanges. in such a way, we can assume that context regularity is equivalent to meaning regularity. no communicative act, like an utterance, a gesture and so on, exists without being context related, since it is always indexed in a standard context of use. the meaning of such a communicative act is given by the mental representation of standard context regularity. on the other hand, thanks to production processes, communicative formats are neither totally constrained nor completely determined by the past and by context regularity, but they expect and produce variations and deviations as an effect of contingent conditions and novel unpredictable aspects that every communicative situation potentially brings on itself. context regularity is the outcome of a historical and cultural process, not a logical necessity, and the past neither determines nor constrains the present, although the former steers the latter. in this way, contextual variations may always, in theory and in practice, take place related to the hic et nunc situation. given this double process of re-production and production, regularity and variation are two essential constituents of meaning.
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