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San juan college's silhouette series will present hot club of san francisco on january 22, at 7 p.m., in the henderson fine arts center performance hall. inspired by the music of django reinhardt and stephane grappelli's pioneering hot club de france, an ensemble of accomplished and versatile musicians turns back the hands of time to the parisian jazz clubs of the 1930s. led by guitarist and songwriter paul mehling, the bay area ensemble borrows the all-string instrumentation of violin, bass and guitars from the original hot club, but breathes new life into the music with innovative arrangements. the hot club of san francisco dazzles audiences with its lightning-fast melodies and unrelenting rhythms. jazz manouche, as the style was called in its birthplace in france, is sophisticated, yet has a sentimental quality. it is delicate, but the rhythms are played at breakneck speed. it has a swingy, jazzy feel, but many of the songs are waltzes. it is gypsy jazz, and the popularity of this sometimes flamboyant, sometimes melancholy guitar music, is growing around the world. tickets are for adults and for students and senior citizens. box office: 505 ; 566-3430. 742 w. animas st., farmington, 327-6263 903 w. broadway, bloomfield, 634-0324 mon-fri 8 am-12 & 1-5 if you are a pregnant, breastfeeding, or postpartum woman or if your children are under the age of 5 you may be eligible to benefit from our supplemental food program. fmi, call one of the above phone numbers.
Class, and simultaneously to problematize the dominant poles of these binary oppositions, such as masculinity, whiteness, and middle classness wekker and lutz 2001 ; . in her insightful exploration of the ways in which the gendered and racialized discourse of `family values' contributes to the construction of us national identity, patricia hill collins, referring to the work of michel foucault, defines disciplinary power as `that by which people are classified and located on a knowledge grid' collins 1998: 79 n.5 ; . in doing so, collins makes selective use of the foucauldian vocabulary. according to foucault, modern power is indeed intimately connected to the power knowledge configurations of the human sciences. discipline and normalization work to shape human bodies and enable forms of life. power, however, is not to be conceived of as a property, but as a relation. power relations are constantly shifting, they are marked by conflicts and points of resistance. power does not merely suppress, it also produces subjects. it involves strategic games that can only be played so long as the parties involved have a certain amount of freedom, in which the relations between them are reversible and unstable. it is only in cases where the `infinitesimal mechanisms of power' have become reified into static structures with totalitarian traits that we may speak of domination and oppression foucault 1984 ; . the british approach to intersectionality has adopted this more relational and dynamic view of power. it has elaborated a constructionist interpretation of intersectionality. its conception of intersectionality builds upon gramsci's view of power in terms of ongoing struggles over hegemony, and his notion of articulation as `any practice establishing a relation among elements such that their identity is modified as a result of the articulatory practice' laclau and mouffe 2002: 105 ; . conflations of identity categories such as race with a system like racism are rejected on the basis that they assume a static view of both the meaning of the category of race, and of racism as a single system in which whites dominate blacks, thus ignoring the various ways in which irish people, jews, or refugees from the third world have been negatively racialized and subjected to racism and play roulette. 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